Artist-researcher, cultural manager and faculty member with a foundation in music, mathematics, photography, sound engineering, programming and electronic arts.
Since 2015, she has been responsible for designing and coordinating the academic programme of the Master's Degree in Electronic Arts (UNTREF), where she facilitates learning processes through research-creation methodologies.
She is co-founder of ESPACIO 404 and currently, SONORAMA, platforms dedicated to fostering collaborative exchange, installation design, and curatorial practices centered on listening. Additionally, she has been actively involved in initiatives such as Geopoeticas subalternas, HICCUP and Mestizo Robotics, which critically explore the intersections of art, technology, and society. She also contributes to artistic residency programs, including (R.A.R.O., Casa Nubera).
Her artwork has attracted significant attention with exhibitions at prominent cultural centres and museums, including the CCK, CCRecoleta, CCGSM, CNB, Tecnópolis and the Planetarium. She has received support and recognition for projects and artistic residencies both locally and internationally, including from the British Council, FNA, Fondo Metropolitano, ArtCenter South Florida and Cryptic. She is part of the 2024 group of Presente Continuo, Science, Arts and Technology programme (Fundación Andreani, Fundación Williams, Fundación Bunge y Born, CCEBA).
In her artistic practice, she approaches sound as a conceptual and material tool to interrogate perceptual and socio-cultural environments. Through active and embodied modes of listening, she develops situated actions and creates technopoetic artefacts and installations that explore the relationships between technology, perception and society.
:: Towards an embodied listening
My artistic explorations unfold at the boundaries—on the edges of things and concepts—between the tangible and the intangible, within an environment that shifts between languages, materials, and sounds.
Through situated actions nourished by exchange and somatic listening practices—parasitic, atmospheric—I develop techno-aesthetic experiments, carry out processes, and engage diverse materials to shape new socio-technical devices. My aim, through these new mediations, is to foster practices and experiences that question our surroundings and encourage other modes of listening, both intimate and collective.
Keywords: sonic philosophy - situated practices - sonic textures - sensory boundaries - embodied listening
>> SHORT CV
Since 2015, she has been responsible for designing and coordinating the academic programme of the Master's Degree in Electronic Arts (UNTREF), where she facilitates learning processes through research-creation methodologies.
She is co-founder of ESPACIO 404 and currently, SONORAMA, platforms dedicated to fostering collaborative exchange, installation design, and curatorial practices centered on listening. Additionally, she has been actively involved in initiatives such as Geopoeticas subalternas, HICCUP and Mestizo Robotics, which critically explore the intersections of art, technology, and society. She also contributes to artistic residency programs, including (R.A.R.O., Casa Nubera).
Her artwork has attracted significant attention with exhibitions at prominent cultural centres and museums, including the CCK, CCRecoleta, CCGSM, CNB, Tecnópolis and the Planetarium. She has received support and recognition for projects and artistic residencies both locally and internationally, including from the British Council, FNA, Fondo Metropolitano, ArtCenter South Florida and Cryptic. She is part of the 2024 group of Presente Continuo, Science, Arts and Technology programme (Fundación Andreani, Fundación Williams, Fundación Bunge y Born, CCEBA).
In her artistic practice, she approaches sound as a conceptual and material tool to interrogate perceptual and socio-cultural environments. Through active and embodied modes of listening, she develops situated actions and creates technopoetic artefacts and installations that explore the relationships between technology, perception and society.
:: Towards an embodied listening
My artistic explorations unfold at the boundaries—on the edges of things and concepts—between the tangible and the intangible, within an environment that shifts between languages, materials, and sounds.
Through situated actions nourished by exchange and somatic listening practices—parasitic, atmospheric—I develop techno-aesthetic experiments, carry out processes, and engage diverse materials to shape new socio-technical devices. My aim, through these new mediations, is to foster practices and experiences that question our surroundings and encourage other modes of listening, both intimate and collective.
Keywords: sonic philosophy - situated practices - sonic textures - sensory boundaries - embodied listening
>> SHORT CV
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:: Grants and Awards
- Fellowship: PRESENTE CONTINUO: ARTE, CIENCIA Y TECNOLOGÍA 2024 , organised by Fundación Bunge y Born and Fundación Williams, in collaboration with Fundación Andreani and the Centro Cultural de España in Buenos Aires (CCEBA) Argentina, 2024.
- Mobility grant, residency, and artistic research: Federal Artistic Residencies Programme CONSTELACIONES 2023 , organised by Red Quincho, developed at @Barda del Desierto, Rio Negro, and @Casa Nubera, Tucumán, Argentina, 2023.
- Mobility grant, residency, and artistic research: International Artist Residency Programme CRYPTIC-Cove Park with support from the British Council, hosted at @Cove Park, Scotland, 2020.
- Creation grant: Metropolitan Promotion Programme for Culture, Arts, and Sciences, Autonomous City of Buenos Aires, Argentina, 2019.
- Selection: Art and Technology Award, Fondo Nacional de las Artes (FNA), Argentina, 2018.
- Mobility grant and artistic residency: International Artist Residency Exchange Programme PANAL361@ArtCenter South Florida, Miami, USA, 2017.