PAULA GUERSENZVAIG

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BIO


Artist researcher, university lecturer and cultural manager. Her work integrates listening as a critical practice and a driving force of creation in both artistic and professional contexts. She holds an MA in Technology and Aesthetics of Electronic Arts from UNTREF (Argentina), with an academic background spanning music, mathematics, photography, sound engineering and programming.

Her practice conceives sound as a material and conceptual device capable of revealing the socio-technical affections that permeate our bodies and environments. Through situated actions and technopoetic installations, she proposes modes of active and embodied listening that bring into tension the relationships between technology, perception and society.

She co-founded cultural production platforms that merge action and thought through experimental practices: ESPACIO 404, situated at the intersection of art and technology; and SONORAMA, framed around the philosophy of sound and listening. She takes part in collaborative projects exploring frictions between art, technology and society from decolonial and situated perspectives, such as Subaltern Geopoetics, HICCUP, Mestizo Robotics, Against soundscape, Listening Biennial.

Between 2014 and 2025, she coordinated the academic program of the Master's in Electronic Arts (MAE UNTREF), guiding learning processes through research-creation methodologies. In the same vein, she works independently as a facilitator in artistic and curatorial processes for residency programs, such as R.A.R.O.

She has received support from the British Council, FNA, Fondo Metropolitano, ArtCenter South Florida and Cryptic, and is a fellow of the Presente Continuo Art, Science and Technology Program, supported by the Andreani, Williams, Bunge&Born Foundations and CCEBA. Since 2013, she has participated in local and international artistic residencies and exhibitions.

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