In conversation with remnant-sound.
2025
Solo Exhibition by Paula GuersenzvaigApril 12 and 13, 2025
Acéfala Gallery CABA, Argentina
Curatorial Text: Mariela Yeregui
Technical TeamProduction and installation assistant
Marlin Velasco
3D Design and help
Santiago Crespo
Installation assistant
Luis Carlos Molina
AcknowledgmentsBárbara Echevarría | Mariela Yeregui
Clara Cardinal | Mariana Lombard
Nelson Collingwood | Pablo Ruchansky
The remnant-sound, the residue left by the habits of a grammatised listening, is for me like a mass—a material charged with folds, textures and filaments that sets somatic exchanges in motion.
In conversation with this residue of my listening—and in critical alliance with the technical objects that have shaped our perception since the onset of modernity—these four technological mediations emerge.
Technopoetic assemblages driven by the desire to cultivate other forms of listening. Other techniques, other procedures: parasitic listenings, atmospheric listenings.
Might we, through these prostheses, cleave—if only fleetingly—the industry of perception and allow listening to overflow its assigned boundaries?
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Breve registro de la exposición
FOUR INSTALLATIONS
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III. Calibre .22 (2017-2025)
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IV. Río callado (2017-2025)
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In conversation with this residue of my listening—and in critical alliance with the technical objects that have shaped our perception since the onset of modernity—these four technological mediations emerge.
Technopoetic assemblages driven by the desire to cultivate other forms of listening. Other techniques, other procedures: parasitic listenings, atmospheric listenings.
Might we, through these prostheses, cleave—if only fleetingly—the industry of perception and allow listening to overflow its assigned boundaries?
Breve registro de la exposición
FOUR INSTALLATIONS
I. Masa sonora (2014)
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II. Poema Electromagnético Desneoclasificado (2016-2025)
III. Calibre .22 (2017-2025)
IV. Río callado (2017-2025)
